Exploration of "Tirtha" Themes in the Communication of Waskita Rupa's Work (Bali Nata Bhuwana)

Abstract

This article presents the findings of a study on the curation of visual art titled "Dharma-Tirtha-Matra," exhibited in the Waskita Rupa Exhibition. The study focuses on the significance of "tirtha," or water, in the artworks showcased by artists from various academic institutions. The research method employed curatorial practices that interconnect the meaning of water with issues of ecosystem sustainability, spirituality, and human life. The study reveals that the messages conveyed through visual art are not merely denotative but also hold philosophical meanings closely tied to culture and spirituality. Water is portrayed as a source of life, energy, emotion, and purity. The research demonstrates that artists create their works as a form of visual communication, reminding viewers of the contextual importance of water. In methodology, art curation is considered a communicative activity involving the exploration of meanings, and using curative methods requires relevance to complex themes and contexts. This study contributes to the understanding of communication processes and meanings in visual art, particularly within the contexts of Communication Science and Visual Communication Design studies.